Mastering is the stage where the mixed two track master is artistically enhanced and technically prepared to be sent for manufacture. It is the final technical and creative stage in a project and the last opportunity to fix any technical and artistic shortcomings.
A good mastering job will enhance your mix with qualities such as volume, tone, width, dynamics and impact. You will also find that it will bring forward many more qualities such as perceived size, space, depth, groove, liveliness, drive and gloss.
Mastering can add new harmonic content giving warmth, body, musicality and even a sense of new atmosphere.It can add a "classic quality" and familiarity when audio is passed through the very same analog equipment as many familiar classic recordings.
On a technical level Mastering will fix glitches, pops, noise and balance the sound of recordings, made at different studios or from recordings made over extended periods of time. Tracks that had previously sounded very different can be made more naturally flowing throughout an album.
MONITORING |
DUNTECH SOVEREIGN C 6000 MK IV ATC SCM45A PASS LABS X2.5 Pre-Amp PASS LABS X600 1200W Mono Block x 2 THRESHOLD SA12 350W Class A Mono Block x 2 DANGEROUS MUSIC MASTER DANGEROUS MUSIC LAISON SONY HD600 Headphones |
RECORDERS: | |
› ANALOG |
AMPEX ATR 102 1/2" Stereo with Dolby SR STUDER B67 ¼" Stereo STUDER B67 ¼" Mono STUDER B62 ¼" Stereo AMPEX 351 ¼" Mono Tube AMPEX AG 350 ¼" Mono |
› DIGITAL |
SEQUOIA ver 17 x 2 Digital Audio Workstation TASCAM DV-RA1000 192KHz PCM & DSD / CD / DVD Recorder TASCAM DA45 - 24 Bit DAT Recorder x 2 SONY PCM 501 (Apogee mods. filters + digital out) HHB 850 PLUS CD Recorder plus wordclock |
A/D and D/A CONVERTERS | DIGITAL AUDIO DENMARK AX32 x2 LAVRY SAVITR (AUX) AD-24-200 LAVRY AD122-96MkIII LAVRY DA-10 BENCHMARK DAC1 APOGEE DA-16X TASCAM DSD Converters (RA 1000) RME Hammerfall MADI FX RME Hammerfall HDSP 9632 + WCM RME Digiface AES |
SOFTWARE PLUG-INS |
ALGORITHMIX Complete MELDA PRODUCTIONS Complete FAB FILTER Complete SOUNDTOYS Complete WEISS SARACON SRC UNIVERSAL AUDIO UAD-2 MAAT Digital SONY OXFORD Inflator, Limiter, EQ SONORIS DDP Reader |
COMPRESSOR/LIMITERS |
TUBE-TECH SMC-2A Tube Multi-Band Compressor/Limiter Stereo TUBE-TECH LCA 2B Tube Compressor/Limiter Stereo FAIRCHILD 666 Tube Compressor FAIRCHILD 670 Tube Vari-mu Compressor POM AUDIO DESIGN rebuid (original 50's transformers and completely original signal path) MANLEY VARIABLE-MU Tube Compressor/Limiter Stereo with Mid/Side and T bar mod NEVE 2254/a Compressor/Limiter x 2 ALAN SMART C2 Compressor Stereo PENDULUM PL2 Limiter Stereo CHANDLER EMI RS124 x 2 |
EQUALIZERS |
MANLEY MASSIVE PASSIVE Tube EQ Stereo TRIDENT CB 9066 Class A EQ x 2 PULTEC EQP - 1A3 Mono Tube Program EQ x 4 PULTEC MEQ5 Tube EQ TUBE-TECH EQ1A Tube Parametric EQ x 2 TUBE-TECH PE1C Tube Program EQ x 2 TUBE-TECH ME1A Tube Mid EQ x 2 |
CABLING |
REQUISTE AUDIO Silver Line, Instrument and Power Cable |
LINE AMPS |
TELEFUNKEN V74 Tube x 5 NEVE 1272 x 6 |
TURNTABLE |
LINN SONDEK LP12 + ITOK arm SHELTER 501 moving coil cartridge EAR 834P phono stage |